I don't know how to close the screen when I press the key at the top of the film
当我缓缓按下屏幕上方的关闭键时，心中对影片那种说不清、道不明的情绪，都怎么也关不掉。
Cheng Dieyi, played by Zhang Guorong, is a dreamer in real life. In his world, ideal and reality, life and stage, even the boundaries between men and women, life and death, are all integrated, and he has reached“ No madness, no survival” The degree of, in and out of the play, crazy attachment to the overlord and Yu Ji. Obsessed in the play, obsessed outside the reality, although he was valued, but because of his morbid heart, he was so decadent that he forgot the real self and created a kind of wandering, free and helpless sad life
由张国荣扮演的程蝶衣，是一个在现实生活中做梦的人。在他的个世界里，理想与现实、人生和舞台，甚至是男与女、生与死的界限，统统被融合了，他达到了“不疯魔不成活”的程度，戏里戏外不分，疯狂地依恋着霸王、依恋着虞姬。痴迷在戏里，迷痴在现实之外，虽然，他受过器重，但却由于他那病态的心里，颓废到忘掉了现实的自我，铸造一种飘忽、游离、无奈的凄婉人生。
at the end of the song, my heart was empty, and a kind of depressed emotion blocked my chest. There is a regret, like a late breeze blowing through my heart. I don't know what I regret. Maybe it's the happiness that seems to catch up, but I find that it's just a broken chrysanthemum fairy
曲终人散之时，我的心底空荡荡的，一种抑郁的情感堵塞在胸口。有一种遗憾，像一阵迟来的微风拂过心田，我不知道我在遗憾什么，也许是那看似追到的幸福，却发现，那只是碎片的菊仙吧。
If drama is Cheng Dieyi's dream, then Duan Xiaolou is Ju Xian's dream. In the change of times, her extraordinary wit maintains his dream and the root of her happiness. However, she didn't get happiness in the end. When Duan Xiaolou was criticized and said that she didn't love chrysanthemum fairy, her good dream was broken, her dependence was gone, her bottom line of life completely collapsed, and the disappointment and deep emptiness and loss in her eyes. So she put on her wedding dress and embarked on the road of no return
如果说戏是程蝶衣的梦的话，那么作文段小楼便是菊仙的梦，在时代的更替中，她且过人的机智维护着他的梦，维护着她幸福的根源所在。可是，她最终也没能得到幸福。当段小楼被批斗讲出不爱菊仙的话时，好的梦破碎了，她的依靠没了，她的人生底线彻底崩溃了，眼神里流露出的失望和那深深的空虚与茫然。于是，她穿上新婚时的嫁衣，走上了不归路。
About Duan Xiaolou, I think he is a relatively neutral figure, but he is also an extremely contradictory person. He pleaded for mercy when he was beaten in order to save others' own; The Japanese betrayed their lover suddenly during the cultural revolution. It seems unexpected, as if it is reasonable
关于段小楼，我觉得他是个比较中性的人物，却又是个极端矛盾的人，他为救别人自己的挨打，却在被打时口口生生求饶；他突兀而梗直的苦恼日本人，却在文革时期出卖了自已的爱人。看似意料之外，仿佛又在情理之中。
six fingers, cold hands, Yaozi's coat, little scab, Keban,“ I am a man, not a girl“ A man can do it by himself Zhang Gonggong, Overlord, Ju Xian&hellip…。 "Farewell My Concubine" in my mind began to play back again
六指、手冷、窑子的大衣、小癞子、科班、“我本是男儿郎，又不是女娇娥”、“人得自个儿成全自个儿”、张公公、霸王、菊仙……。脑中的《霸王别姬》又开始回放。